
Many of you may be wondering who exactly Marvin Sease is. I know I was wondering when I was assigned to write about him. In an article featured on theloop21.com by Mark Neal titled, "As Nasty as He Wanted to Be: Remembering Marvin Sease," Neal gives a brief overview of the life and career of Sease. After reading that article I became extremely interested and saddened with the story of this musicians life. He was a little known artist with lyrics that parallels those of today's hottest hip hop and rap biggest names. The only problem is he died before ever making a name for his self in the mainstream music scene.

Marvin Sease was born in Blackville, South Carolina nearly 65 years ago. While being raised in Charleston he developed his style of music which drew on the southern influences of gospel, soul, and R&B. As a result he settled into the genre of Southern Soul and moved to New York to follow his dreams. With provocative lyrics and strong soulful instrumental background accompaniment it is hard to believe that he did not have as much success. One thing that Neal highlights in his article is that Sease's music never got played on the radio and was forced to live a life time on the "Chitlin Circuit." The "Chitlin Circuit" is comprised of small business and venues in the South that host southern independent black artist that have to gain popularity on their own. These artist work this circuit like Sease did in order to make a name for themselves and get their material noticed.

The sad part about this is that without the article from Mark Neal people like myself, my classmates, and those of you reading this may have never heard of Marvin Sease or known that he had ever lived to pass. I would have been oblivious to his story and his music. By writing his article Mark Neal has become the middleman Marvin Sease never had. Justifying and comparing his work to that of current and pass artist Neal is speaking on his behalf. He understand that there is a market and a purpose for Sease's music and is able to articulate those reason well. Maybe there was someone who spoke for see and help try and communicate to radio what was trying to accomplish with his music. What ever the case was radio kept his music from playing and stunted his career to barely existing.
Despite an extreme lack of mainstream radio support his hit songs like "Candy Licker" and "Ghetto Man" were still able to find favor amongst those familiar with the "Chitlin Circuit." It is also interesting that Neal credits Sease in his article for laying the foundation for newer artist that are forced to pursue the underground approach to the music business. If in fact people want to acknowledge that statement it would make his life and music all the more worthwhile.
R.I.P. Marvin Sease February 16, 1946 - February 08, 2011
